Mackie 32.8 Mixing Console

Mackie 32.8 Mixing Console

* changed a button at top left of VU meter, switch itself is in working order

Includes PSU.

The Mackie 8•Bus Series is a flexible ‘in-line monitoring’ style console. They are available with 24 or 32 microphone/line inputs fed into 8 submix buses, 2 stereo mix buses and 6 auxiliary send buses. There are 24 or 32 tape return inputs for multitrack monitoring and mixing or for use as additional line inputs. The 8•Bus Series is designed to be the mixing and communications hub in a multitrack recording studio and is also an excellent choice for sound reinforcement work. Numerous inputs, flexible sends and terrific EQ combined with the legendary Mackie headroom and noise floor specs make your work easy. It’s clean. It’s quiet. It’s packed with features. It’s affordable.

32•8 Specifications : 

• Noise (Measured 20Hz to 20kHz bandwidth,Tape Returns selected, no EQ, Channel Pansalternating L/R, L/R. “Faders up” refers to Unitygain, 0dBu position.) :
  • Main L/R Output Noise :
    Master fader down, –101dBu; master fader up/no ch.’s assigned, –95dBu; master fader up/24 chs. assigned, –90dBu; master fader up/24 chs. assigned, ch. faders up, –86dBu; +4dB operating level S/N ratio, –90dBu
  • Submaster Output Noise :
    Master fader down, –99dBu; master fader up/no ch.’s assigned, –96dBu; master fader up/24 chs. assigned,–90dBu; master fader up/24 chs. assigned, ch.faders up, –86dBu; +4dB operating level S/Nratio, 90dB
  • Total Harmonic Distortion (1kHz @14dBumeasured 20Hz-20kHz, mic input, 1 channel as-signed) :
    Direct output, 0.0013% typical; L/R Mixoutput, 0.0014% typical; Submaster output,0.0015% typical
  • Crosstalk. (1kHz measured relative to 0dBu, measured 20Hz to 20kHz.) :
    Line In to Adjacent Channel, –91dBu; L/R mix output w/channel down, –95dBu; submaster output w/channel down, –96dBu; L/R mix output w/channel muted, –95dBu; submaster output w/channel muted, –96dBu; L/R mix output w/channel unassigned, –91dBu; submaster output w/channel unassigned, –95dBu; L/R mix output w/adjacent channel assigned, –92dBu; submaster output w/ adjacent channel assigned, –94dBu; L/R mix output pan pot attenuation, –87dBu; submaster output pan pot attenuation, –87dBu
• Frequency Response : +0dB/–1dB, any input to any output 20Hz to 60kHz; +0dB/-3dB, any input to any output, 10Hz to 120kHz
• E.I.N. Mic input (150Ω termination, 20Hz-20kHz) : –129.5dBm
• C.M.R.R. Mic input, max gain @1kHz, –83dBu; line input, minimum gain @1kHz, –45dBu; tape input, no gain @1kHz, –45dBu
• Maximum Levels. Mic input, +14dBu; all other inputs, +22dBu; L/R Mix balanced output,+28dBu, all other outputs, +22dBu
• Impedances : Microphone input, 1.5 kΩ; channel insert return, 2.5 kΩ; all other inputs, 10 kΩ or greater; all outputs, 120Ω
• Equalization : Hi Mid, full parametric, +/-15dB freq. sweep from 500Hz-18kHz, bandwidth (Q)variable from 1/12 octave to 3 octaves; Lo Mid,swept, 45Hz-3kHz +/-15dB; Hi, shelving, 12kHz+/-15dB; Lo, shelving 80Hz +/-15dB; Lo Cut(HPF) 75Hz,18dB/octave (Tchebechev)